For older posters, there may also be minor bleed-thru of a stamp, mark or writing applied to the back of the poster. It may exhibit staining, creasing, scuffs/wear, discoloration, slight fold separation, small tears, increased number of staple marks, increased level of fold wear compared to ‘Fine’ and minor paper loss. VERY GOOD: A poster that is well used but still presentable. It will show signs of use, such as pin/staple holes to the corners, edge dings/creasing, surface creasing/marks and minor wear to the fold lines. This is generally the highest grade that you will find film posters listed, this allows for minor edge dings and creasing to the surface.įINE: A poster showing light wear. NEAR MINT: A poster that is virtually unused. It is highly unlikely you would find a poster that will truly achieved this grade. MINT: To achieve this grade a poster would have to be totally flawless, no markings or creasing of any kind whatsoever (inclusive of oily fingerprints on high gloss examples).
Spectre film poster free#
Please feel free to contact us should you require a more detailed condition report. If a poster has been linen backed (see FAQ’s) we will grade it as per its current condition and endeavor to highlight any flaws it may have had prior to the backing/restoration process. Please bear in mind that this is genuine ‘theatre used’ advertising material and it will inevitably show some sign of use and its age. When listing a poster we use the guide below to provide you with a fair assessment of the posters condition.
Spectre film poster full#
The skull represents death, and due to his full black attire, juxtaposes the white blazer that James Bond is wearing in the main photo at the front.Aboriginal and Torres Strait Islander visitors are advised that listings on this website contain images and names (by way of posters or photographs) of people who have since died. The day of the dead skull in the background is from the opening scene and the camera angle suggests it was a stolen shot, as if the character was not aware that he was being photographed. He is looking directly into the camera as if making eye contact with the consumer, another example of how he is imposing authority on the audience.īecause he is A-list actor as well as his co actors, his name is not on the poster due to the fact that either people already know his name as he has been in more than one of the James Bond franchise. His facial expression, were his eyebrows are scrunched, showing he looks concerned or angry. His white blazer contrasts with the red corsage and makes it stand out, also white is the colour of purity and innocence, possibly telling us that there is more than one side to him.
Bond is also a holding a gun which means he is armed and dangerous. However, the red corsage in his all white blazer draws attention to itself as red is a strikingly a bold colour and has connotations of blood, death, violence, and possibly love, as Bond is a potentially dangerous man and everyone knows from the character that this interpretation is true. The way he is positioned, directly in the centre of the poster tells us that he is the protagonist of the film, and the slightly lowered camera angle, shows he is standing in a strong and powerful pose and his arms are folded over his chest which denøtes he is protecting himself. The poster has bright central focus of light on bond as he is the main character using an indirect mode of address as he is staring directly at you and connecting with the audience.The poster features the plain theme colours of blue and white, along with hints of gold. Karishma and I (Jenna) also analysed the SPECTRE film poster we thought this would help us because it is a good example of a thriller film we also wanted to find some features that are mostly used in a typical thriller action film poster and techniques that we could use for our project.
0 kommentar(er)
